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MumLife
State
Australia
Genre
Drama, Musical
Duration
15:00
Key Cast
Chloe Bayliss, Joe Donovan, Alan Zhu
Director
Ruby Challenger
Producer
Claudia Shepherd
Screenwriter
Ruby Challenger, Claudia Shepherd
Executive Producer
Cinematographer
Benjamin Bellette
Composer
Sophia Christopher
Editor
Brendan Cain

Sarah, a first-time mother struggles to connect with her newborn baby and is pushed to her limits when she discovers her insta famous bestie has thrown her a surprise birthday party.

Director Biography.
Ruby has been on film sets since her first moments out of the hospital as a newborn. Following her unofficial education in filmmaking, her career in the film industry began in the Art and Costume departments, which took her around Australia while she learned the ropes of filmmaking. Her first short film as Director/Producer/Writer, Daily Bread, played at festivals around the world, winning awards including the St Kilda Film Festival People’s Choice Award. In 2021 Ruby completed her Masters of Screen in Directing at the Australian Film Television and Radio School (AFTRS) and she directed the horror short, Hyde, which is currently screening on the festival circuit. She followed this with her graduate short, the musical - MumLife which had its world premiere at the 2022 Cannes Film Festival.
Director Statement.
After having my first baby, my body seemed to become public property, overnight I lost my vocabulary and I was plagued by a niggling feeling of deep insecurity that I was doing it all wrong, that I wouldn’t be enough for my daughter. On top of that, I was wearing adult diapers and my nipples leaked breastmilk through every top. And yet it was also the greatest time in my life filled with the most glorious joy. Through the haze of hormones it was like I had to rebuild myself from the ground up. I go on an emotional rollercoaster sometimes hourly, daily or monthly about how I feel about myself as a mother. Sometimes I feel in control and other times I feel like the biggest failure, all the while, worrying deep down that my love isn’t enough, that I will fail my baby somehow. This is Sarah’s journey. MumLife challenges stereotypes like ‘dad doesn’t help with the baby’, and ‘mum anxiety all comes from judgemental mum’s groups’. The film doesn’t look for reasons or answers to why Sarah is so anxious. The musical numbers are a window into Sarah’s soul - to give her a voice when she can’t find one. MumLife uses indie pop style songs that you would expect to hear on the radio - I wanted to subvert the style of music often used in musicals so the audience could relate the film to their own lives. With MumLife, I hope to hit that deep bittersweet feeling that I experienced through those early months of bringing my first born into the world.

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